Come Sunday
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"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled ''
Black, Brown and Beige ''Black, Brown and Beige'' is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943. It tells the history of African Americans and was the composer's daring attempt to transform attitudes abo ...
''. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as '' The Carnegie Hall Concerts: January 1943''). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. "Come Sunday" was originally a centerpiece for alto saxophone player
Johnny Hodges Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano ...
; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer
Mahalia Jackson Mahalia Jackson ( ; born Mahala Jackson; October 26, 1911 – January 27, 1972) was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to ...
, greatly increased its popularity.


Notable recordings

* Duke Ellington – ''
Black, Brown and Beige ''Black, Brown and Beige'' is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943. It tells the history of African Americans and was the composer's daring attempt to transform attitudes abo ...
'' (rel. 1946), recording of 1943 Carnegie Hall concert * Duke Ellington – ''
Black, Brown and Beige ''Black, Brown and Beige'' is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943. It tells the history of African Americans and was the composer's daring attempt to transform attitudes abo ...
'' (1958, with
Mahalia Jackson Mahalia Jackson ( ; born Mahala Jackson; October 26, 1911 – January 27, 1972) was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to ...
) *
Abbey Lincoln Anna Marie Wooldridge (August 6, 1930 – August 14, 2010), known professionally as Abbey Lincoln, was an American jazz vocalist, songwriter, and actress. She was a civil rights activist beginning in the 1960s. Lincoln made a career out of deli ...
– ''
Abbey is Blue ''Abbey Is Blue'' is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
'' (1959) * Dizzy Gillespie – ''
A Portrait of Duke Ellington ''A Portrait of Duke Ellington'' is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. * Eric Dolphy – '' Iron Man'' (rec: 1963, rel: 1968) * Dee Dee Bridgewater – '' Prelude to a Kiss: The Duke Ellington Album'' (1996)


See also

*
List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ...


References

1940s jazz standards 1943 songs Compositions by Duke Ellington {{1940s-jazz-composition-stub